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Giacomo Puccini

Manon

Lescaut

Opera

Dramma lirico in vier Akten

by Abbé Prévost

Language Italienisch

Sunday 18. April 2027 One intermission Main Stage
Subscription 22

Ticket information

Choose a day of the week and your favorite seats and enjoy five performances in one season.

The following performances are included in this subscription:

30. November 2025Věc Makropulos
08. February 2026Jewels (Ballett)
08. March 2026Nabucco
03. May 2026Der fliegende Holländer
28. June 2026Die Zauberflöte
18. October 2026Die Entführung aus dem Serail
15. November 2026Madama Butterfly
07. February 2027Living Legacies
07. March 2027Un ballo in maschera
18. April 2027Manon Lescaut

Cast on
18. April 2027

Manon Lescaut

Chevalier René Des Grieux

Vittorio Grigolo

Regie und Licht

Robert Carsen

Ausstattung

Antony McDonald

Choreografie

Philippe Giraudeau

Dramaturgie

Ian Burton

3 more performances

Manon Lescaut

Cast on Wednesday 7. April 2027

Manon Lescaut

Chevalier René Des Grieux

Vittorio Grigolo

Regie und Licht

Robert Carsen

Ausstattung

Antony McDonald

Choreografie

Philippe Giraudeau

Dramaturgie

Ian Burton
Included in: Abo 11
Abo 11

Ei­nen Wo­chen­tag und Lieb­lings­plät­ze wäh­len und fünf Vor­stel­lun­gen in ei­ner Sai­son ge­nie­ßen.

In die­sem Abo sind fol­gen­de Vor­stel­lun­gen ent­hal­ten:

01. Oktober 2025Il barbiere di Siviglia
03. Dezember 2025Věc Makropulos
11. März 2026Don Pasquale
08. April 2026Parsifal
27. Mai 2026Manon (Ballett)
23. September 2026La clemenza di Tito
18. November 2026Madama Butterfly
16. Dezember 2026Onegin
07. April 2027Manon Lescaut
05. Mai 2027Die tote Stadt
Manon Lescaut

Cast on Saturday 10. April 2027

Manon Lescaut

Chevalier René Des Grieux

Vittorio Grigolo

Regie und Licht

Robert Carsen

Ausstattung

Antony McDonald

Choreografie

Philippe Giraudeau

Dramaturgie

Ian Burton
Included in: Zyklus »Weltliteratur auf der Opernbühne«
Zyklus »Weltliteratur auf der Opernbühne«

Kom­po­nis­ten lie­ßen sich oft von gro­ßen li­te­ra­ri­schen Wer­ken in­spi­rie­ren und schu­fen dar­aus un­sterb­li­che Opern. Die­ser Zy­klus ver­eint fünf Meis­ter­wer­ke nach Schil­ler, Shake­speare, Goe­the, Pré­vost und We­de­kind.

Alle Termine des Zyklus

Mehr über Zyklen

Manon Lescaut

Cast on Wednesday 14. April 2027

Manon Lescaut

Chevalier René Des Grieux

Vittorio Grigolo

Regie und Licht

Robert Carsen

Ausstattung

Antony McDonald

Choreografie

Philippe Giraudeau

Dramaturgie

Ian Burton
Included in: Zyklus »Glanz und Elend«
Zyklus »Glanz und Elend«

Wie nah Glück und Schmerz bei­ein­an­der lie­gen: La Bohème ver­bin­det Lie­be und Tra­gik, Andrea Chénier er­zählt von Lie­be in Zei­ten der Re­vo­lu­ti­on. Manon Lescaut führt ins Ver­der­ben – wäh­rend La Fille du régiment ein glück­li­ches En­de be­reit­hält.

Alle Termine des Zyklus

Mehr über Zyklen

About the production

When Manon arrives in Amiens, she meets Des Grieux and immediately falls madly in love with him. Despite fleeing to Paris to start a life together, Manon's desire for luxury and wealth becomes her undoing.

She leaves Des Grieux for the rich Geronte, but soon regrets her decision and flees with Des Grieux again. However, their love is put to the test when Manon is arrested and deported to America. Des Grieux follows her, but their story ends in tragedy when Manon dies in his arms in the wilderness.

Manon

Lescaut

Storyline

Manon, a beautiful young girl from the provinces, is to be taken to a convent by her brother Lescaut. The student Des Grieux falls in love with her at first sight. Geronte, a rich old man, is also impressed by Manon and plans to kidnap her.

Edmondo informs his friend Des Grieux of Geronte's intentions. After Des Grieux has confessed his love for Manon, they flee together. Lescaut assures Geronte that Manon will soon be fed up with her life of poverty and will voluntarily turn to Geronte and his wealth.

Lescaut's prophecies have come true: Manon has left Des Grieux to lead a life of wealth alongside Geronte.

However, she tells Lescaut, her brother, that Des Grieux's new-found wealth is not worth it. Geronte flaunts Manon to some of his friends. Manon is surprised by Des Grieux. He reproaches her greatly for having left him.

When she begs for forgiveness, he falls under her spell again. However, the passionate lovers are barely reunited when Geronte returns unexpectedly. Manon ridicules Geronte, who then leaves, swearing revenge.

Des Grieux urges Manon to flee immediately, but she is unable to part with the luxury of her new life. Lescaut appears and warns them that Geronte intends to have Manon imprisoned. In her desperate attempt to take as many jewels, clothes and money as possible with her on her escape, she hesitates too long: Geronte appears and has her imprisoned.

Des Grieux' and Lescaut's plan to free Manon fails.

Manon's humiliation and disgrace are now revealed: she is to be deported. Des Grieux, who is almost obsessed with her, manages to be allowed to accompany her.

Des Grieux and the dying Manon find themselves in a wasteland.

At Manon's request, Des Grieux sets off in search of water. Left alone, she reviews her life and recognizes her mistakes. When Des Grieux returns, she confesses her love for him and dies in his arms.

Act 1 & 2 75 minutes
Intermission 25 minutes
Act 3 & 4 50 minutes

Director Robert Carsen relocates the action to a skyscraper and shopping mall environment, thus underlining the timelessness and universality of the fatal seduction mechanisms of status symbols and the spotlight as well as contemporary loneliness. If one thinks of the large number of young people today, even children, who are ensnared by marketing strategists and cleverly trimmed to the apparent importance of brand products and self-presentation, the immense topicality of this production becomes clear!

Puccini succeeded in linking the disparate individual scenes with musical motifs, almost creating a great arc. Musically, therefore, the opera is a success. There is not a single bar that is uninspired. Even this relatively young composer, who was still Puccini at the time Manon Lescaut was written, possessed great mastery and an unmistakable style. His music is "sexy", full of eroticism and passions and deliberately creates strong contrasts between deeply felt emotionality and superficial glamor.

The opera Manon Lescaut draws our attention to the contrast between money and love. Money can buy many things, which is why it is so fascinating for many people. With love, however, you are thrown back on yourself, love cannot be bought. Manon is indescribably beautiful. But she doesn't have enough self-esteem, so she believes she needs all the luxury, the expensive clothes and shoes, the jewelry and perfume to be valuable in the eyes of those around her. Genuine love, however, does not ask for such external things, it is the exact opposite. It doesn't ask what I want, but what the person I love wants. Manon, however, is so preoccupied with herself that she forgets Des Grieux. Of course, such behavior is all too human. One rarely encounters truly selfless love.

Eine junge Frau mit Mantel und Mütze steht mit verschränkten Armen vor einem Schaufenster, daneben zwei Schaufensterpuppen und eine weitere Frau mit Einkaufstaschen.
Ein Mann stützt eine erschöpft wirkende Frau in dunkler Kleidung auf einer modernen Bühne mit violettem Hintergrund.
Ein Mann im schwarzen Lederjackett steht nachdenklich in einem modern möblierten Bühnenraum mit violett beleuchtetem Hintergrund.
Ein Mann lehnt seinen Kopf an die Schulter einer Frau, beide wirken emotional bewegt in moderner Bühnenumgebung mit grünlichem Licht.

This production is sponsored by

Frequently asked questions

Tickets for standing room can be purchased online or at the Bundestheater box office from 10 am on the day of the performance. BundestheaterCard holders can book standing room tickets online the day before the performance.

In addition, a fixed contingent of standing room tickets is available for regular evening performances from 80 minutes before the start of the performance at our standing room box office (Operngasse entrance).

Our operas are sung in the original languages, which is listed just beneath the title – these vary depending on the work.

Subtitles in different languages can be switched on or off individually at each seat via a separate subtitle screen. In addition to the original language of the opera, German and English, you can choose from up to six additional languages: Italian, French, Russian, Japanese, Spanish, Chinese (Mandarin).

In the event of a change of performance, you can of course return or exchange your tickets.

As changes to the cast cannot be ruled out due to illnesses or other hindrances of artists, there is no entitlement to a refund of the ticket price or exchange in this case.

Tickets cannot be returned or exchanged in the event of non-admission to the auditorium due to late arrival (even after the interval).

About Your Visit

Cloakroom

The cloakrooms are located next the the entrances at the Operngasse. You can find additional cloakrooms on the left and right side of the balcony and the gallery and in the boxes. All cloakrooms are free of charge.

Be on Time

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Food and Drink

Our gastronomy opens at the same time entry is permitted. You can enjoy some snacks and drinks before the performance starts or you can book a table for the break.

Practical Information

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Discounts, Subscriptions, Cycles

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